Matthew Curran, bass, has an active career in opera, concert and recital. Recent
appearances include: Daland in Der Fliegender Holländer with Opera Roanoke, Angelotti in Tosca with Hawaii Opera, Collatinus in The Rape of Lucretia with Opera Memphis, Beethoven’s 9th Symphony with the Jacksonville Symphony, Sarastro in The Magic Flute with St. Louis Symphony and Opera Roanoke, Colline in La Bohème with Atlanta Opera, Opera Grand Rapids and Jacksonville Symphony, Ferrando in Il Trovatore, Raimondo in Lucia di Lammermoor and Oroveso in Norma with Baltimore Concert Opera, Brahms’ Requiem with Symphony Silicon Valley, Inspector Watts (cover) in Séance on a Wet Afternoon at New York City Opera, Bérénice with American Symphony Orchestra at Carnegie Hall, Messiah with the Garden State Philharmonic, and Edwin Cheney in Shining Brow (by Daron Hagen) with the Buffalo Philharmonic. He has also performed with Zürich Opera, Seattle Opera, Opera New Jersey, New Orleans Opera, Chautauqua Opera, Central City Opera, and Center City Opera Theater among others. He has a Bachelor of Music from Loyola University New Orleans and a Master’s from Indiana University.